Tuesday 11 February 2014

Uses and Gratifications Gained from the Texts

Peaky Blinders

The text allows the audience to gain escapism through allowing them to be passive and not actively decoding the narrative of the text. This is evidenced in the text when Aunt Polly and Aida are discussing the idea of an abortion and that Freddie may not return to Aida. The text incorporates a somber, non-diegetic soundtrack to highlight the emotions of sadness and fear. The use of the soundtrack makes the emotions appear more obvious and therefore the audience are given the answers without having to decode them. An active audience may take an oppositional reading to this as they may find this patronising if they have already decoded the emotions of the scene without the inclusion of the soundtrack.

The text allows the audience to self-educate themselves through the repetitive references to historical context. This is shown in the text when CI Chester Campbell and Tommy Shelby are in the tea room bargaining a deal and Tommy makes reference to the IRA when discussing who he would give the guns to. Campbell, an Irish policeman's reaction to this threat is negative and is shown by a close up shot of his face looking concerned and threatened. This shows the feelings of people towards the IRA during the period of time that the text was set, in 1919.



Madmen

The text may allow the audience to gain models of behaviour through the representation of the male protagonist, Don Draper. The audience see Don Draper return home from work to a young, slim and beautiful wife.

Thursday 6 February 2014

How Does Peaky Blinders Target its Intended Audience?

Set in Birmingham in 1919, Steven Knights', Peaky Blinders is a crime drama while follows former WW1 soldiers who have returned home and formed a criminal gang. The text is aired on BBC 2 at 9pm and is a highbrow text that only made six one-hour episodes.

The text is dominated by the almost constant use of non-diegetic sound. The text conforms to features of a mainstream text by using a soundtrack to reflect a character's emotions; this shows evidence of targeting a more passive audience and they will have to do less decoding of the character's emotions. The text uses the upbeat and rocky soundtrack by the White Stripes when the Shelby brothers are working with the racing books and money and this reflects the excitement and chaotic nature of the scene. However, this then contrasts to the somber soundtrack when Aunt Polly wants to speak to Tommy. This highlights to the audience that there is something wrong and adds a worrying tone, which allows the audience to be more passive.

The text helps the audience to gain the uses and gratifications of learning and self-education gaining through the incorporation of historical and cultural context. This is shown when Tommy Shelby explains to the newspaper reporter the reasons for burning the pictures of the King as being due to them not wanting the King to see what happens to their city after how they fought for him in WW1. This targets a more active and perhaps niche audience as this provides additional information to the plot and if it is decoded as it was encoded then the audience may experience retrophilia - reflects stereotypes and the lifestyle of a particular era.

The text has more mainstream features such as the use of well-known film stars. Tommy Shelby, played by Cillian Murphy, has also appeared in highly-acclaimed Hollywood films such as: Batman and Inception. Also, C.I Chester Campbell, played by actor Sam Neil, has also performed in critically-acclaimed films such as Jurassic Park. The use of film stars within the text help to target a more mainstream audience through them being able to recognise actors from the text and judging them on their success from these Hollywood films which would then imply that Peaky Blinders may be of the same quality and so an audience may trust it more and are more likely to watch it.